• Title : Cambridgeshire described with the deuision of the hundreds, the Townes situation with the Armes of the Colleges of that famous Vniuersiti...And also the Armes of all such Princes and noble men as have heertofore borne the Honorable tytles & dignities of the Earldome of Cambridge....Performed by John Speede and are to be sold in popes alley by John Sudbury and G Humbell...Cum Privilego 1610.
• Size: 20 1/2in x 15in (510mm x 380mm)
• Condition: (B) Good Condition
• Date : 1610
• Ref #:  80002

Description:
This original hand coloured antique 1st edition map of the English county of Cambridgeshire was engraved in 1610 - dated -and was published by John Sudbury & George Humble in the 1612 1st edition of John Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map has some loss mainly along the borders and a few small areas below both sets of figures. Map has been mounted onto an original index page fro m Speeds atlas.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 20 1/2in x 15in (510mm x 380mm)
Plate size: - 20 1/2in x 15in (510mm x 380mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Map cropped to and into borders
Plate area: - Small loss below both sets of figures at the bottom of the map
Verso: - Backed onto original Speed index double page

Background: 
Strong reference is made to Cambridges famous and renowned university with the (twenty five) armourials of the colleges and four scholarly figures. The birds eye view plan of Cambridge city is based on the one done by John Hammond in 1592.

• Title : The Kingdome of Great Britaine and Ireland....Graven by J Hondius and are to be solde by J Sudbury and George Humble in Pope Heads Alley in London cum privilage Regis 1610
• Ref #:  93433
• Size: 21in x 15 3/4in (535mm x 400mm)
• Date : 1611
• Condition: (A) Very Good Condition

Description:
This magnificent, beautifully hand coloured, original copper-plate engraved antique map (a true rare 1st edition - Shirley 316, catch word wee on verso) by John Speed, was engraved by the famous cartographer Jodocus Hondius and published by Sudbury & Humble in Speeds 1611-12 edition of his atlas Theatre of the Empire of Great Britaine.

A beautiful example of the first state of one the most visually striking maps ever produced of the British Isles, embellished with finely detailed views of both London and Edinburgh. The strong printing impression of this example highlights the exquisite engraving of this map, particularly the delicate detail of the two inset views.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 21 1/2in x 17in (545mm x 435mm)
Plate size: - 18 1/2in x 14in (470mm x 355mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - All margins professionally restored from printed borders
Plate area: - Small repair to bottom centerfold
Verso: - Centerfold re-enforced.

Background:
John Speed spent 15 years gathering materials for his atlas of the British Isles, in which this map was the first to appear. Moreover, Speed went to considerable lengths to secure a top engraving talent—a fascinating story in itself--to produce this and many of the other maps in this atlas. Speed sent the visual, raw materials for his maps—drafts of the map themselves and design sketches--to Amsterdam to be engraved by Jodocus Hondius, who at the time was one of the most prominent and successful map publishers in all of Europe. Hondius, however, was well known to English map publishers, as he had worked as an engraver for hire in London in the 1580’s, where he had fled due to religious persecution in his homeland. Still, it is surprising that Speed was able to secure the services of Hondius at the height of his career, and, in fact, Hondius died shortly after completing this project. Hondius’ distinctive style can be seen in this map in its stippled seas and in its decorative detail that is rich without being disorganized or distracting.
The map itself of England was based on that of Saxton, who produced some years earlier the very first atlas of Great Britain. Ireland and Scotland were based on maps by Hondius and Mercator, respectively. The view of London was modeled after a c. 1600 drawing by C. J. Visscher, which was not published until 1616. The Edinburgh view is an adaptation of an earlier manuscript showing the city under siege in 1544.

• Title : Holy Iland; Garnsay; Farne; Jarsey
• Date : 1611
• Condition: (A) Very Good Condition
• Ref:  92499
• Size: 21in x 16in (535mm x 405mm)

Description:
This finely engraved beautifully hand coloured original antique map by John Speed of the English Islands of Holy & Farne Island's; Guernsey & Jersey was published by John Sudbury & George Humbell in the 1611 1st  edition of John Speeds famous atlas The Theatre of the Empire of Great Britaine, first published in 1611. 
The verso contains text in English describing the 4 Islands and their history. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable 
Paper color: - off white
Age of map color: - Original & later color
Colors used: - Yellow, green, blue, red, pink
General color appearance: - Beautiful 
Paper size: - 21in x 16in (535mm x 405mm)
Plate size: - 20 1/2in x 15 1/2in (520mm x 395mm)
Margins: - Min 1/4in (6mm)

Imperfections:
Margins: - Restoration to top, left & bottom margins
Plate area: - Light creasing, repair to bottom publishers cartouche, no lo0ss
Verso: - Colour show through, restoration to bottom centrefold and margins as noted

• Title : 1626 Italia Newly augmented by I. Speed and Are to bee Sold by Tho. Bassett in Fleet Street and Richard Chiswell in St. Puals Church-yard
• Date : 1626 (1676)
  
• Size: 21 1/4in x 16 1/4in (540mm x 410mm)
• Condition: (A-) Good Condition
• Ref:  35655

Description:
This original hand coloured copper plate engraved antique map of Italy by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas Prospect of the Most Famous Parts of the World.

A very unusual state, as far as I can tell unrecorded, with the date 1626 engraved in the title. This map was first published in 1626 with the date included at the end of the title. This map was published in 1676 by Bassett and Chiswell but for some reason the date, 1626 has been included at the top and beginning of the title, I have been unable to find another example.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 21 1/4in x 16 1/4in (540mm x 410mm)
Plate size: - 18 1/2in x 15 3/4in (470mm x 400mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Small section of top margin professionally restored about 1/2in into view of Florence
Plate area: - Two rejoins to bottom margin 1in into the border and map, no loss. Light fold bottom right corner
Verso: - Light soiling, repairs as noted

Background:
Since classical times the countries bordering the enclosed waters of the Mediterranean had been well versed in the use of maps and sea charts and in Italy, more than anywhere else, the traditional knowledge was kept alive during the many hundreds of years following the collapse of the Roman Empire. By the thirteenth and fourteenth centuries the seamen of Venice, Genoa and Amalfi traded to far countries, from the Black Sea ports and the coasts of Palestine and Egypt in the East to Flanders and the southern coasts of England and Ireland in the West, their voyages guided by portulan charts and the use of the newly invented compass. For a time Italian supremacy in cartography passed to Aragon and the Catalan map makers based on Majorca, but by the year 1400 the power and wealth of the city states of Venice, Genoa, Florence and Milan surpassed any in Europe. Florence, especially, under the rule of the Medici family, became not only a great trading and financial centre but also the focal point of the rediscovery of the arts and learning of the ancient world. In this milieu a number of manuscript world maps were produced, of which one by Fra Mauro (c. 1459) is the most notable, but the event of the greatest importance in the history of cartography occurred in the year 1400 when a Florentine, Palla Strozzi, brought from Constantinople a Greek manuscript copy of Claudius Ptolemy's Geographia, which, 1,250 years after its compilation, came as a revelation to scholars in Western Europe. In the following fifty years or so manuscript copies, translated into Latin and other languages, became available in limited numbers but the invention of movable-type printing transformed the scene: the first copy without maps being printed in 1475 followed by many with copper-engraved maps, at Bologna in 1477, Rome 1478, 1490, 1507 and 1508, and Florence 1482.
About the year 1485 the first book of sea charts, compiled by Bartolommeo dalli Sonetti, was printed in Venice and in the first part of the sixteenth century a number of world maps were published, among them one compiled in 1506 by Giovanni Contarini, engraved by Francesco Rosselli, which was the first printed map to show the discoveries in the New World. In the following years there were many attractive and unusual maps of Islands (Isolano) by Bordone, Camocio and Porcacchi, but more important was the work of Giacomo (Jacopo) Gastaldi, a native of Piedmont who started life as an engineer in the service of the Venetian Republic before turning to cartography as a profession. His maps, produced in great variety and quantity, were beautifully drawn copperplate engravings and his style and techniques were widely copied by his contemporaries. From about 1550 to 1580 many of Gastaldi's maps appeared in the collections of maps known as Lafreri 'atlases', a term applied to groups of maps by different cartographers brought together in one binding. As the contents of such collections varied considerably they were no doubt assembled at the special request of wealthy patrons and are now very rare indeed.
About this time, for a variety of historical and commercial reasons, Italy's position as the leading trading and financial nation rapidly declined and with it her superiority in cartography was lost to the vigorous new states in the Low Countries. That is not to say, of course, that Italian skills as map makers were lost entirely for it was not until 1620 that the first printed maps of Italy by an Italian, Giovanni Magini, appeared, and much later in the century there were fine maps by Giacomo de Rossi and Vincenzo Coronelli, the latter leading a revival of interest in cartography at the end of the century. Coronelli was also famous for the construction of magnificent large-size globes and for the foundation in Venice in 1680 of the first geographical society.
In the eighteenth century the best-known names are Antonio Zatta, Rizzi-Zannoni and Giovanni Cassini.
We ought to mention the work of Baptista Boazio who drew a series of maps in A Summarie and True Discourse of Sir Francis Drake's West Indian Voyage, published in 1588-89, and who is especially noted for a very fine map of Ireland printed in 1599 which was incorporated in the later editions of the Ortelius atlases. It is perhaps appropriate also to refer to two English map makers who spent many years in exile in Italy: the first, George Lily, famous for the splendid map of the British Isles issued in Rome in 1546, and the second, Robert Dudley, who exactly one hundred years later was responsible for the finest sea atlas of the day, Dell' Arcano del Mare, published in Florence. Both of these are described in greater detail elsewhere in this handbook. (Ref: Tooley, Koeman)

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : America with those known parts in that unknowne world both people and manner of buildings discribed and inlarged by I.S. Ano 1626.
• Date : 1626 (1676)
  
• Size: 21 1/2in x 17in (545mm x 430mm)
• Condition: (A+) Fine Condition
• Ref:  35654

Description:
This original hand coloured copper plate engraved antique map of America by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas Prospect of the Most Famous Parts of the World.
One of the best examples of this map I have seen. Beautiful original condition with original hand colour, clean heavy impression on sturdy clean paper with original margins, which is very rare.

This 1626 map of America is the fourth or 1676 state and is one of the most iconic maps of America, surrounded by decorative vignettes illustrating the indigenous peoples and cities of the Americas. This map is both beautiful and important. It features a number of first, including being the first atlas map to depict California as an island and to accurately depict the east coast of North America. Cartographically it follows on the earlier maps of the Dutchman Abraham Goos, the engraver, with updates to reflect the 1625 Briggs vision of an insular California

General Definitions:

Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 21 1/2in x 17in (545mm x 430mm)
Plate size: - 20 1/4in x 15 1/2in (515mm x 395mm)
Margins: - Min 3/4in (20mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Old archival hinge paper top of verso, not affecting the map.

Background:
This is the first atlas map to represent California as an island. The idea of an insular California first appeared as a work of fiction in Garci Rodriguez de Montalvo's c. 1510 romance Las Sergas de Esplandian, where he writes
.....Know, that on the right hand of the Indies there is an island called California very close to the side of the Terrestrial Paradise; and it is peopled by black women, without any man among them, for they live in the manner of Amazons.....
Baja California was subsequently discovered in 1533 by Fortun Ximenez, who had been sent to the area by Hernan Cortez. When Cortez himself traveled to Baja, he must have had Montalvo's novel in mind, for he immediately claimed the 'Island of California' for the Spanish King. By the late 16th and early 17th century ample evidence had been amassed, through explorations of the region by Francisco de Ulloa, Hernando de Alarcon and others, that California was in fact a peninsula. However, by this time other factors were in play. Francis Drake had sailed north and claimed 'New Albion' (identified here on the northwest coast of California Island) near modern day Washington or Vancouver for England. The Spanish thus needed to promote Cortez's claim on the 'Island of California' to preempt English claims on the western coast of North America. Henry Briggs, an English mathematician, began promoting the idea of an insular California in 1622, citing the journals of Friar Antonio de la Ascension, who accompanied the 1602-03 Sebastian Vizcaino expedition. The significant influence of the Spanish crown on European cartographers caused a major resurgence of the Insular California theory. Just before this map was made Eusebio Kino, a Jesuit missionary, traveled overland from Mexico to California, proving conclusively the peninsularity of California. Even so, it was ultimately a 1747 royal decree from King Ferdinand VII of Spain that finally forced cartographers to give up on the alluring idea.

Other elements of interest in North America are the complete absence of the Great Lakes - which in 1626 had yet to be conceived of by any European cartographers. The Straits of Anian appear tenuously in the extreme northwest, just above California. Just east of the 'o' in 'California', on the continental mainland, there is a curious ghosted in lake called the 'Lagueo de Oro.' We have found no references or explanation for this. None of the legendary kingdoms of gold, Quivara, Teguayo, Cibola, etc. are noted. The western portions of the Hudson Bay are unmapped - suggestive of their unexplored status. The addition of Long Island and Boston, in notably darker print, are important updates over the earliest editions.

South America offers much of interest including the mythical Lake Parimia, in Guiana. The legend of Parima is associated with the English adventurer Sir Walter Raleigh's search for El Dorado. Believing El Dorado to lie in the northern part of the Amazon, Raleigh sailed down the Orinoco River just before the onset of the rainy season. Reaching a remote tribal village, Raleigh noted canoes arriving bearing gold, silver, and other treasures. Asked where the gold came from, the natives replied, 'Manoa', the term for the tribe to which the river traders belonged. Manoa, the natives claimed could be reached following a long river voyage southward to a Great Lake, called Parima. Raleigh and his associates immediately associated Manoa and Lake Parima with the golden kingdom of El Dorado, though they never visited the city or lake. Subsequent maps, including this one, mapped el Dorado and Lake Parima in this location for several hundred years. Both Raleigh and the natives were describing an actual event known to occur annually in the region. Rains would annually swell the Amazon and Orinoco river systems creating a linkage in the Rupununu flood plain, which, during heavy rains, can resemble a massive lake. The Manoa were a large and populous trading nation active in pre-colonial days whose vast empire, based in the Amazon Basin, extended form the Andes to the Orinoco. Curiously, in addition to noting the city of Manoa on Lake Parima, D'Anville also correctly maps the center of the ancient Manoan civilization between the Amazon tributaries Rio Negro and Rio Yapura. Sadly the Manoa and many of the other populous South American indigenous nations noted by the earliest explores to the region vanished, brought low by European epidemics.

Another mythical lake, Eupana, appears further south connecting the Rio de la Plata and the Paraguay River to the R. Real, thus turning eastern Brazil into an island. This is a update over many earlier maps which connected Eupana directly to the Amazon. Far in the south Speed presents us ith another anomaly, the Straits of Le Maire, which separates Tierra de Fuego from another mysterious stretch of land labeled 'States Land.' The is in fact the modern island of Isla de los Estados, the southeastern most point in South America. Jacob le Maire and his pilot Willem Schouten passed to between this island and Tierra del Fuego on their 1615 voyage around Cape Horn and into the Pacific.

In the high Arctic, near Iceland and Greenland, the supposed islands of Frisland and Brasil are noted. Frisland is little more than a double mapping of Iceland. Brasil, also known as Hy-Brasil, is a phantom island north Atlantic just west of Ireland. In Irish myths it was said to be cloaked in mist, except for one day every seven years, when it became visible but still could not be reached. Little is known of this origins of this myth, but it appears on maps in various forms from about 1325. The last known appearance was in 1865 when it appeared on a nautical chart as 'Brasil Rock.' Some speculate that it may be an early reference to Porcupine Bank, a shoal in the Atlantic Ocean about 200 kilometres (120 mi) west of Ireland.

Speed's map of America is especially noteworthy for its surrounded vignettes. To either side of the map proper there are various vignettes illustrating the indigenous peoples of the America. These includes natives of Greenland, Virginia, Florida, Mexico, New England, Peru, Brazil, and Tierra del Feugo.n Along the top of the map there are eight city views: Havanna, Santo Domingo, Cartagena, Mexico City, Cuzco, the isle of Moca, Rio de Janeiro, and Olinda.

This map was engraved for John Speed by Abraham Goos. It is the fourth state of the map issued by Thomas Bassett of Fleet Street and Richard Chiswell of St. Paul's Churchyard. Bassett, Chiswell, and others continued to republish Speed's work well after his death.  (Ref: Tooley, Koeman, Burden)

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title :Midle-sex Described with the most Famous Cities of London and Westminster
• Ref #:  17053
• Size: 20 1/2in x 16 1/4in (520mm x 410mm)
• Date : 17053
• Condition: (A) Very Good Condition

Description:
This original hand coloured antique map & views of London and the English county of Middlesex by John Speed was published in the 1627 edition of Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map is embellished with the famous birds-eye views of London, Westminster and the churches of St Peters (Westminster Abbey) and old St Pauls before the great fire of London in 1666. English descriptive text of London on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 20 1/2in x 16 1/4in (520mm x 410mm)
Plate size: - 20 1/2in x 16 1/4in (520mm x 410mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - L&R margins re-enforced by strips on verso
Plate area: - Light soiling
Verso: - Light toning

Background:
This county map of Middlesex, now greater London, illustrates the market towns of Enfield, Pancras, Osterley and Staines. The map is dominated by four large vignettes with the environs of London and the county situated in the central portion of the map. The actual cartography is based on the surveys performed by John Norden, the earlier English antiquary and map maker, who unsuccessfully attempted to publish an updated county atlas of the United Kingdom before Speed. Norden also lived most of his life in Middlesex, thus becoming an obvious source for the map.
The City of London is clearly shown on the lower right of the map with villages such as Hamsted, Pancras, Kensington and Paddington marked around the city. To the lower centre of the map is an acknowledgement to the original survey by Norden, augmented by Speed himself.
Although the cartography is of some note, it is the vignettes for which this map is justly famous. To the two bottom corners are the famous Churchs of St. Peter (Westminster Abbey) Westminster on the left and St. Pauls to the right. This is the medieval Cathedral of St. Pauls, just after it had lost its spire in 1561 and before the Great Fire of 1666, in which it was destroyed then rebuilt in its present form by Sir Christopher Wren. Above these two church vignettes are two text panels in the form of books, the one on the left describing the two churches and the other on the right with a description of London itself.
Finally, two large vignettes on the upper left and right corners depict the two cities of Westminster and London respectively. It is believed that Speed was not responsible for either of these images, more likely drawing from Norden, although there are no surviving evidence of this, to date yet to be found. There are also theories that these two views may have come from either a German sources or other lost birds-eye views of London by unknown persons.
Due to modern growth of London and border changes, the county of Middlesex no longer exists, but there is little doubt this is the most the best map of London and Middlesex published in the 17th century. English text on versoJohn Speed

• Title : The Theatre of the Empire of Great Britaine, A Prospect of the most famous Parts of the World by John Speed...London Thomas Bassett and Richard Chiswell 1676; The Achievement of our Soveraigne King Charles the 11D.
• Date : 1676
• Size: 22 1/2in x 17 1/2in (570mm x 445mm)
• Ref #:  42005/42006
• Condition: (A+) Fine Condition
• Price: $1250.00US

Description:
This original beautifully hand coloured, copper plate engraved antique Title and Dedication Pages was published for the 1676 edition of John Speeds double atlas The Theatre of the Empire of Great Britaine & Atlas A Prospect of the most Famous Parts of the World printed by Thomas Bassett and Richard Chiswell, London.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Later
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22 1/2in x 17 1/2in (570mm x 445mm)
Plate size: - 15 1/4in x 9 3/4in (385mm x 250mm) each
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light age toning
Plate area: - Light age toning
Verso: - Light age toning

Background:
John Speeds The Theatre of the Empire of Great Britaine was published in 1610/11 by John Sudbury and George Humble, and contained the first set of individual county maps of England and Wales besides maps of Ireland and a general map of Scotland. Most, but not all, of the county maps have town plans on them; those showing a Scale of Passes being the places he had mapped himself. The county maps were the first consistent attempt to show territorial divisions, such as boundaries of hundreds, but it was Speed’s town plans that were a major innovation and probably his greatest contribution to British cartography. The Theatre was an immediate success: the first print run of around 500 copies must have sold quickly because many editions followed. Sudbury and Humble realized, given the increasing popularity of both county and world atlases and in the light of the success of Abraham Ortelius’s Theatrum Orbis Terrarum, the potential demand for an English world atlas.

In 1627, two years before his death, Speed published Prospect of the Most Famous Parts of the World with 21 finely engraved maps, which was the first world atlas produced by an Englishman. There is a fascinating text describing the areas shown on the back of the maps in English, although a rare edition of 1616 of the British maps has a Latin text – this is believed to have been produced for the Continental market. Its maps are famous for their bordering panels of national characters in local costume and panoramic views depicting the areas of major towns and cities. Much of the engraving was done in Amsterdam at the workshop of Jodocus Hondius. The maps of the world and America show California as an island and are amongst the earliest ever printed to depict this seventeenth-century cartographic myth.

• Title : The Countye of Monmouth Anno 1610
• Date : 1676
  
• Size: 21in x 16in (535mm x 405mm)
• Condition: (A+) Fine Condition
• Ref:  35623

Description:
This original hand coloured copper plate engraved antique county map & views of Monmouth Shire and Monmouth City by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map is embellished with the famous birds-eye views of the county and city with descriptive text on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 405mm)
Plate size: - 20 1/2in x 15 1/4in (520mm x 385mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Age toning
Plate area: - Age toning
Verso: - Age toning

Background:
John Speeds The Theatre of the Empire of Great Britaine was published in 1610/11 by John Sudbury and George Humble, and contained the first set of individual county maps of England and Wales besides maps of Ireland and a general map of Scotland. Most, but not all, of the county maps have town plans on them; those showing a Scale of Passes being the places he had mapped himself. The county maps were the first consistent attempt to show territorial divisions, such as boundaries of hundreds, but it was Speed’s town plans that were a major innovation and probably his greatest contribution to British cartography. The Theatre was an immediate success: the first print run of around 500 copies must have sold quickly because many editions followed. Sudbury and Humble realized, given the increasing popularity of both county and world atlases and in the light of the success of Abraham Ortelius’s Theatrum Orbis Terrarum, the potential demand for an English world atlas.

In 1627, two years before his death, Speed published Prospect of the Most Famous Parts of the World with 21 finely engraved maps, which was the first world atlas produced by an Englishman. There is a fascinating text describing the areas shown on the back of the maps in English, although a rare edition of 1616 of the British maps has a Latin text – this is believed to have been produced for the Continental market. Its maps are famous for their bordering panels of national characters in local costume and panoramic views depicting the areas of major towns and cities. Much of the engraving was done in Amsterdam at the workshop of Jodocus Hondius. The maps of the world and America show California as an island and are amongst the earliest ever printed to depict this seventeenth-century cartographic myth.

• Title : Midle-sex Described with the most Famous Cities of London and Westminster
• Date : 1676
  
• Size: 21in x 16in (535mm x 405mm)
• Condition: (A) Very Good Condition
• Ref:  35602

Description:
This original hand coloured copper plate engraved antique map & views of London and the English county of Middlesex by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map is embellished with the famous birds-eye views of London, Westminster and the churches of St Peters (Westminster Abbey) and old St Pauls before the great fire of London in 1666. English descriptive text of London on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, yellow, green, pink
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 405mm)
Plate size: - 20 1/2in x 15 1/2in (520mm x 395mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Light age toning
Plate area: - Re-enforced along centerfold, light uplift
Verso: - Re-enforced along centerfold, two small repair to top of map, no affect to image

Background:
This county map of Middlesex, now greater London, illustrates the market towns of Enfield, Pancras, Osterley and Staines. The map is dominated by four large vignettes with the environs of London and the county situated in the central portion of the map. The actual cartography is based on the surveys performed by John Norden, the earlier English antiquary and map maker, who unsuccessfully attempted to publish an updated county atlas of the United Kingdom before Speed. Norden also lived most of his life in Middlesex, thus becoming an obvious source for the map.
The City of London is clearly shown on the lower right of the map with villages such as Hamsted, Pancras, Kensington and Paddington marked around the city. To the lower centre of the map is an acknowledgement to the original survey by Norden, augmented by Speed himself.
Although the cartography is of some note, it is the vignettes for which this map is justly famous. To the two bottom corners are the famous Churchs of St. Peter (Westminster Abbey) Westminster on the left and St. Pauls to the right. This is the medieval Cathedral of St. Pauls, just after it had lost its spire in 1561 and before the Great Fire of 1666, in which it was destroyed then rebuilt in its present form by Sir Christopher Wren. Above these two church vignettes are two text panels in the form of books, the one on the left describing the two churches and the other on the right with a description of London itself.
Finally, two large vignettes on the upper left and right corners depict the two cities of Westminster and London respectively. It is believed that Speed was not responsible for either of these images, more likely drawing from Norden, although there are no surviving evidence of this, to date yet to be found. There are also theories that these two views may have come from either a German sources or other lost birds-eye views of London by unknown persons.
Due to modern growth of London and border changes, the county of Middlesex no longer exists, but there is little doubt this is the most the best map of London and Middlesex published in the 17th century. English text on verso

• Title : Midle-sex Described with the most Famous Cities of London and Westminster
• Date : 1676
  
• Size: 20 1/4in x 16 3/4in (515mm x 425mm)
• Condition: (B) Good Condition
• Ref:  35613

Description:
This original hand coloured copper plate engraved antique map & views of London and the English county of Middlesex by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map is embellished with the famous birds-eye views of London, Westminster and the churches of St Peters (Westminster Abbey) and old St Pauls before the great fire of London in 1666. English descriptive text of London on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, yellow, green, pink
General color appearance: - Authentic
Paper size: - 20 1/4in x 16 3/4in (515mm x 425mm)
Plate size: - 20 1/4in x 15 1/2in (515mm x 410mm)
Margins: - Min 1/8in (2mm)

Imperfections:
Margins: - L&R margins cropped to plate-marks
Plate area: - Re-enforced along centerfold very small loss in places, light creasing
Verso: - Re-enforced along centerfold and in several places with transparent archival tape

Background:
This county map of Middlesex, now greater London, illustrates the market towns of Enfield, Pancras, Osterley and Staines. The map is dominated by four large vignettes with the environs of London and the county situated in the central portion of the map. The actual cartography is based on the surveys performed by John Norden, the earlier English antiquary and map maker, who unsuccessfully attempted to publish an updated county atlas of the United Kingdom before Speed. Norden also lived most of his life in Middlesex, thus becoming an obvious source for the map.
The City of London is clearly shown on the lower right of the map with villages such as Hamsted, Pancras, Kensington and Paddington marked around the city. To the lower centre of the map is an acknowledgement to the original survey by Norden, augmented by Speed himself.
Although the cartography is of some note, it is the vignettes for which this map is justly famous. To the two bottom corners are the famous Churchs of St. Peter (Westminster Abbey) Westminster on the left and St. Pauls to the right. This is the medieval Cathedral of St. Pauls, just after it had lost its spire in 1561 and before the Great Fire of 1666, in which it was destroyed then rebuilt in its present form by Sir Christopher Wren. Above these two church vignettes are two text panels in the form of books, the one on the left describing the two churches and the other on the right with a description of London itself.
Finally, two large vignettes on the upper left and right corners depict the two cities of Westminster and London respectively. It is believed that Speed was not responsible for either of these images, more likely drawing from Norden, although there are no surviving evidence of this, to date yet to be found. There are also theories that these two views may have come from either a German sources or other lost birds-eye views of London by unknown persons.
Due to modern growth of London and border changes, the county of Middlesex no longer exists, but there is little doubt this is the most the best map of London and Middlesex published in the 17th century. English text on verso

• Title : A Prospect of the most Famous Parts of the World.....by John Speed.....Printed for Thomas Bassett at the George in fleet-Street, and Richard Chiswell at the Rose and Crown in St Pauls Church-Yard MDCLXXVI
• Size: 16in x 10n (400mm x 255mm)
• Condition: (A) Very Good Condition
• Date : 1676
• Ref #:  93109

Description:
This original antique letterpress title page is from the 1676 Atlas A Prospect of the most Famous Parts of the World by John Speed, printed for Thomas Bassett and Richard Chiswell, London.

General Definitions:
Paper thickness and quality: - Light and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 10n (400mm x 255mm)
Plate size: - 16in x 10n (400mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Several small repairs on verso with archival tape
Plate area: - Several small repairs on verso with archival tape
Verso: - Several small repairs on verso with archival tape

Background: 
John Speed is perhaps the most famous single figure in the early history of the English map trade. He was a member of the Merchant Taylors Company, made free in September 1580, and later Fellow of the Society of Antiquaries. By training he was probably a rolling-press printer, but by interest he was a historian, and Queen Elizabeth granted him a sinecure in the Customs House, to give him the opportunity to pursue these interests.
His earliest cartographic publications were historical; in 1595, he published a wall map of the Holy Land, Canaan as it was Possessed both in Abraham and Israels Dayes, a two-sheet map of The Invasions of England and Ireland with all their Civill Warres since the Conquest (1601) and a wall map of England, Wales and Ireland showing the same information, [1603-1604].
In 1611 he prepared two Bible maps, the larger inserted in folio editions of the great King James Bible, the smaller in octavo printings; Speed also secured a privilege, dated 31st October 1610, to ensure that the map was inserted in every copy of the Bible sold, a lucrative arrangement that the Stationers Company eventually felt impelled to buy out from his heirs.
Speed always considered his History of Great Britaine (1611) his major work, but his reputation was established by the companion atlas volume, Theatre of the Empire of great Britaine, published in 1612, the first printed atlas of the British Isles. The earliest map prepared was The County Palatine of Chester [1604], but the death of the engraver William Rogers meant that Speeds publishers had to turn to Jodocus Hondius, an Amsterdam engraver, to prepare the maps.
The atlas was completed in 1612; the maps are notable for the decorative elements included, evidence of Speeds interest in antiquities and most have inset town-plans, the first series of printed town-plans of the British Isles, and were issued with descriptive English text printed on the verso. In the hands of different publishers, there were numerous editions to 1676 with text; later printings into the 1770s were issued without text.
Towards the end of his career, Speed also prepared a world atlas: the Prospect of the most Famous Parts of the World (1627), the first world atlas compiled by an Englishman and published in England, although the maps were engraved in Amsterdam, using Dutch models. Again, this was printed with English text on the verso, and reprinted thereafter. While early editions are rarer, perhaps the most important edition was the 1676 printing, which added newly prepared English maps of New England, Virginia, the Carolinas, Barbados and Jamaica.
Speeds publishers also prepared two pocket atlases, colloquially called miniature Speeds, reproducing the Theatre and Prospect on a smaller, less expensive, format. The county atlas, England, Wales, and Ireland: ... their several Counties abridged, first appeared in 1627, although there is an earlier proof version from about 1620; the A Prospect of the Most Famous Parts of the World appeared in 1646; both were reprinted in several editions up to 1675. However, Speed himself probably had little creative contribution to either atlas.